The search was headed by a committee that included both DSO Board members and symphony musicians. “We know he’ll bring us energy, fresh ideas, and exemplary management and people skills -which together with his years of experience will propel the DSO to new heights.”īarker was selected after a search that began last fall after Alan Jordan announced his departure from the DSO. has a sterling reputation in the symphony world,” said Amado.
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His professional relationship with Amado spans many years, and they enjoy a great working relationship. I look forward to working with Music Director David Amado, the musicians and the staff to continue bringing world class performances to the First State.”Ī graduate of the prestigious Juilliard School in New York City, Barker will bring both executive and musical expertise to the DSO. “The DSO is comprised of the region’s finest and most dedicated musicians. “I am eager and excited to be joining such an outstanding organization,” said Barker. Because of this he brings a unique understanding of the relationships between musicians, boards of directors, staff, and community. Like many emerging leaders in orchestra administration, his professional experience began as a classically trained orchestral musician. He will begin his tenure at the DSO on May 1.ĭuring his time at the Mobile Symphony, Barker oversaw an orchestra of 75 musicians, developed ties with corporate and civic leaders, and assisted with the development of large capital projects. Barker comes to the DSO from the Mobile Symphony after a tenure of almost 13 years with that organization, most recently as General Manager and Director of Artistic Administration. Barker to head the state’s only professional symphony orchestra. WILMINGTON, DE-After a months-long search, the Delaware Symphony Orchestra Board of Directors has selected J.C. Barker brings with him more than 30 years of industry experience.
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To see our revised season schedule and repertoire, click here! Classics Series 6 We need you now more than ever, and your confidence in us means everything!Īll of us at the DSO look forward to once again making music! Our resiliency and ability to shift to this new model for the coming season proves again that the DSO is devoted to bringing the best to you, our loyal patrons. We want to thank you for your support and patience as we’ve gone through this planning process. Each presentation will include special introductions by Music Director David Amado, as well as up close and personal viewing of our amazing musicians doing what they do best. We are confident that you will enjoy the intimacy, safety, and freedom that this format will provide. In addition, we will bring you shorter works by important American composers like Ruth Crawford Seeger, George Walker, and Alfred I. Programs will include symphonies by Haydn, Mendelssohn, Beethoven and Schubert, as well as Aaron Copland’s stunning suite from the ballet Appalachian Spring, Tchaikovsky’s Serenade for Strings, and Stravinsky’s Pulcinella. The repertoire for these productions is a wealth of musical riches to create a season of orchestral delights. This digital format will incorporate state of the art audio and video production, and it allows all of us the freedom of listening to – and viewing – the Delaware Symphony in the comfort and safety of our homes. This season, our concerts will be recorded live and then be offered to our subscribers online. Embracing this challenge, we are pleased to announce our re-imagined 2020-2021 season! That critical consideration, coupled with the suspension of activities at The Grand Opera House for the foreseeable future, has led us to re-think how we will bring the sights and sounds of the DSO to you in the coming months. Throughout this pandemic, we have been working diligently to develop a plan that would give both patrons and musicians with safest way to proceed with the season. The 2020-2021 DSO season is going digital! Liszt´s Beethoven transcriptions remain a mountain in the piano repertoire: they bear witness both to his reverence for Beethoven and his genius in the art of transcription.We are truly excited to announce important changes for this coming season’s programming and format. Liszt reworked the original three transcriptions and sped his way through the remaining Symphonies, although he conceded "the impossibility of making any pianoforte arrangement of the 4th movement. But it would not be until 1865 that Liszt would complete his set at the behest of the publisher Breitkopf & Härtel. Liszt began his Beethoven Symphony transcriptions in 1838, completing Symphonies Nos.